An unmistakable aspect of diversity and a topical issue is also the still insufficient number of women working in leading positions in theatre and cultural institutions, as well as their weak to minimal participation in similar types of events taking place in the public space and in the media. Regular meetings, sharing and exchange of experience with prominent personalities – women leaders – from the ranks of the foreign professional public is therefore a substantial support and inspiration not only for their counterparts from the Czech Republic, but also for the wider cultural and academic community.

The initiator and guarantor of the project is the Centre for Experimental Theatre Brno.

The curators of the programme series are dramaturg and translator Viktorie Knotková and director and scenographer Kamila Polívková.

The first edition will take place on 19th and 20th May 2024 in cooperation with the Flora Olomouc Theatre Festival and will focus on the German-speaking environment. The theme is the intersection and interconnection of various cultural influences with an emphasis on "Eastern European" discourse.

Shermin Langhoff (DE), intendant of the Maxim Gorki Theater in Berlin and organizer of the international interdisciplinary project Berliner Herbstsalon

Birgit Lengers (DE), Programme Director of the Radar Ost Festival (Deutsches Theater Berlin) and Artistic Director of the Stadt:Kollektiv section of the Düsseldorfer Schauspielhaus

Julia Wissert (DE), director and intendant of the Theatre Dortmund

Lenka Havlíková (CZ), director and dramaturg of the X10 Theatre, independent producer, co-founder and current chairwoman of the Association of Independent Theatres of the Czech Republic

Katinka Deecke (DE/CH), creative producer and chief dramaturg of the Zurich Drama (Schauspielhaus Zürich)

Sodja Lotker (CZ), dramaturg, curator, 2008 - 2015 director of PQ, initiator and dramaturg of the Prague Crossroads Festival (National Theatre Prague)

The debates and the conference will be moderated by dramaturgs Dominika Široká (SK) and Viktorie Knotková (CZ).

Sunday 19. 5.  2pm – 4:30pm

CED Talks Theatre and diversity I: Freedom

An open debate of Viktorie Knotková (CED) and Dominika Široká (DF) with Shermin Langhoff (Maxim Gorki Theater Berlin), Birgit Lengers (Radar Ost Festival).

The first part of this year's CED Talks programme THEATRE AND DIVERSITY: FREEDOM accentuates the mutual influences and overlaps of German-speaking and Eastern European theatre production. Relations and tendencies within a united but internally still divided Europe will be discussed from different perspectives, but the imaginary focus of interest in this case is in Berlin – a city historically divided into eastern and western parts. Topics such as post-migrant theatre, theatre as asylum and theatre as politics will be explored together, through their experiences, by Maxim Gorki Theater intendant Shermin Langhoff and Radar Ost Festival's dramaturg and programme curator Birgit Lengers, together with dramaturgs Viktorie Knotková and Dominika Široká, both of whom have significant experience working in the German-speaking environment.

2:00pm – 2:45pm

When minorities form the majority

Debate between Viktorie Knotková and Shermin Langoff

Shermin Langhoff, a corypheus of socially engaged theatre, will talk about her own immigration experience – her "journey to the West", about the emancipation of ethnic and cultural minorities through theatrical production, and she will present her concept of leading the urban stage with an international ensemble and a strong focus on political themes.

3:00pm – 3:45pm

East of the West, West of the East

Dominika Široká ́s debate with Birgit Lengers

Birgit Lengers will talk about her experience with international projects and collaborations with artists from Eastern Europe. The debate will be moderated by dramaturg Dominika Široká, curator of the German-language section of the Flora Olomouc Theatre Festival, so the topic of this block will also be a reflection on the festival's activities associated with the mutual interest in cooperation between the former Eastern and Western Europe.

4:00pm – 4:30pm

Joint discussion and questions from the audience

Monday 20. 5. 10:00am – 4:30pm

CED Talks Theatre and Diversity II: WOMEN LEADERS

The second part of the CED Talks, THEATRE AND DIVERSITY: WOMEN LEADERS, connects prominent female personalities from the German-speaking and Czech theatre environment. The intendant of the Dortmund Drama Company, Julia Wissert, will meet the director of the X10 Theatre, Lenka Havlíková, and the chief dramaturg of the Zurich Drama, Katinka Deecke, and the dramaturg Sodja Lotker. All four creative producers will present their work and share experiences and topics that connect their professional interests and activities, i.e. especially international and interdisciplinary overlaps. The discussion will also touch on the activities of women in leading positions and the necessary systemic changes that would lead to their greater representation and influence on working and living conditions in the future – i.e. to a more significant diversity of the theatre environment.

10:00am - 10:30am

Shermin Langhoff: Manifest of diversity

Keynote

10:30am – 12:00am

Julia Wissert and Lenka Havlíková

The debate will be moderated by Viktorie Knotková

The meeting of these two personalities of German and Czech theatre will open up space for discussion on the need for structural and systemic changes and the cultivation of the environment in which artists work in both the sphere of established and independent scenes.

1:30pm – 13:00pm

Katinka Deecke and Sodja Lotker

The debate will be moderated by Viktorie Knotková

The dialogue between the two prominent dramaturgs and art curators will be based on their experience with international projects, disciplinary overlaps and research or development of progressive dramaturgical methods. The topic will also be shared dramaturgy, or the non-hierarchical leadership of creative teams.

3:00pm - 3:30pm

Final discussion: Julia Wissert, Lenka Havlíková, Sodja Lotker, Katinka Deecke and the audience

SHERMIN LANGHOFF

Shermin Langhoff was born in Turkey and came to Germany with her parents at the age of nine. She became a renowned creative producer and made a significant contribution to the creation of the now well-established concept of so-called post-migrant theatre in the Berlin scene. For example, she worked at HAU (Hebbel am Ufer), where she founded, among other things, the Self-Taught Academy (Akademie der Autodidakten) and launched a series of multidisciplinary projects called Beyond Belonging. In 2008, she founded the Ballhaus Naunynstraße in Berlin's Kreuzberg district, which has since functioned as an institutionalized theatre for artists with international family experience. Since 2013, Langhoff has been the intendant of the Maxim Gorki Theater in Berlin. Under her leadership, the theatre has been voted "Theatre of the Year" several times in a poll by the magazine Theater heute, and a number of productions have won international awards and invitations to the Theatertreffen festival.

Its international ensemble includes people with Turkish, Kurdish, Russian, Moldovan, Serbian, Israeli, Syrian, British, Palestinian, Swedish, Kazakh, Vietnamese and French family backgrounds. Controversial Croatian director Oliver Frljić is currently a member of the artistic management. In addition, Gorki has a platform for professionals with experience of living in exile, the Exile Ensemble, made up of actors and actresses from Syria, Palestine and Afghanistan. In the first four years after her election, Langhoff organized the interdisciplinary BERLINER HERBSTSALON (Berlin Autumn Salon), an interdisciplinary exhibition of live art, creating a unique space for combining political art and activism right in the streets of Berlin. She has received several awards for her work, such as the East End Theatre Prize, the Theatre Prize Berlin of the Preußische Seehandlung Foundation, the KAIROS European culture prize of the Alfred Toepfer Foundation and, last but not least, the Moses Mendelssohn Prize awarded by the Berlin government. In 2017, she was awarded the Federal Cross of Merit (Bundesverdienstkreuz) in the field of culture by German President Joachim Gauck.

BIRGIT LENGERS

Birgit Lengers studied theatre, film and cultural studies/aesthetic practice in Cologne and Hildesheim, where she also worked as an assistant professor. From 2004 to 2008, as a dramaturg at German Theatre Abroad (GTA), she curated several festivals and theatre projects. She was a member of the Board of Directors of the Dramaturgical Society (Dramaturgische Gesellschaft) and in the 2009/10 season she took over the management of Junges DT at the Deutsches Theater Berlin, where she was also a member of the management since 2013. Since the 2020/21 season, Birgit Lengers has been part of the artistic direction of the Düsseldorfer Schauspielhaus and its participatory project Stadt:Kollektiv. Since 2018, she has been the head of the international project DT International at the Deutsches Theater Berlin and is the curator of the Radar Ost festival, whose program reflects the political and aesthetic tendencies of theatre production in the countries of the former Eastern Bloc and has presented the work of ensembles and directors from Georgia, Ukraine, Hungary, Poland, the Czech Republic and Russia. Immediately after Russia's attack on Ukraine, the theatre expressed solidarity with artists from Ukraine with the Stay United series. Last year, the festival featured six co-productions, world premieres and guest performances from Ukraine, Belarus, Georgia and Slovenia at festivals, shelters in Kiev, exiles in London and Paris, and Berlin.

JULIA WISSERT

Award-winning director and intendant of the Theater Dortmund, Julia Wissert, focuses her work on critical reflection on the working environment in which she works as a POC (Person of Colour). She is the author of numerous texts, articles and lectures on the topic of structural racism in the German-speaking field of theatre. In 2017, together with lawyer Sonja Laaser, she drafted the Anti-Racism Clause (Anti-Racsismus Klausel). This document has become an addendum to employment contracts, in which the management of cultural institutions pledges to strive to promptly address any discriminatory behaviour against collaborating artists. Her directorial work straddles the line between drama, performance, site-specific and sound installation.

KATINKA DEECKE

Dramaturg Katinka Deecke studied French literature and theatre studies in Paris and received her master's degree from the University of Frankfurt. In Berlin, she worked as a producer of the international art project 80*81 by Georg Diez and Christopher Roth. She worked as an opera dramaturg at the Theater Bremen, where she also curated and organized interdisciplinary projects, shows and festivals. She was part of the artistic direction of Matthias Lilienthal's Münchner Kammerspiele, participated in the Ruhrtriennale Festival under the direction of Stephanie Carp, and worked as a freelance artist at the Stuttgart Opera, at MC93 in Paris, at the International Festival in Manchester, in the Théâtre Vidy-Lausanne, in the Teatro Madrid, at the Avignon Festival, at the Venice Biennale, etc. Since 2019, she has been the chief dramaturg of the progressive artistic team at the Zurich Drama (Schauspielhaus Zürich).

LENKA HAVLÍKOVÁ

Lenka Havlíková is the director and creative producer of Prague's Theatre X10. After working as a dramaturg in major studio theatres (Činoherní studio in Ústí nad Labem, HaDivadlo) and the National Theatre, she began to realize her own projects as an independent producer. In 2013, together with director Ewa Zembok and actress Anna Císařovská, she founded Theatre X10, which focuses on contemporary drama. In addition to her own theatrical activities, she is involved in the development of the non-profit theatre sector as such. In May 2016, at the constituent meeting of the Association of Independent Theatres of the Czech Republic (AND ČR), she was elected the 1st Vice-Chairwoman of this professional organization of theatre entities in the non-profit sector, in the preparation of which she participated from the beginning. Since 2021, she has been the chairwoman of the AND ČR.

SODJA LOTKER

Sodja Zupanc Lotker is originally from Serbia and after graduating in directing and dramaturgy from the Theatre Faculty of the Academy of Performing Arts in Prague, she completed her doctoral studies in spatial dramaturgy at the University of Vienna, the Zürcher Hochschule der Künste (University of the Arts in Zurich) and the Academy of Performing Arts in Prague. She teaches dramaturgy, lectures at foreign universities and leads a master's degree in Directing Devised and Object Theatre at the Theatre Faculty of the Academy of Performing Arts in Prague. From 2008 to 2015, she was the artistic director of the Prague Quadrennial, the world exhibition of theatre architecture and scenography, and worked as a coordinator of a number of international artistic researches, such as Global City Local City, Space – Performing Arts in Public Space and Urban Heat, and the Kostume Agency artistic research at Kunsthøgskolen i Oslo (Norwegian Academy of Arts in Oslo). She works as a dramaturg of independent theatre, dance and installation projects and is the curator of the international festival Prague Crossroads at the National Theatre in Prague.

VIKTORIE KNOTKOVÁ

Viktorie Knotková works as a dramaturg, translator and moderator in Germany and the Czech Republic. She studied theatre dramaturgy at the Janáček Academy of Music and Performing Arts in Brno and the Max Reinhardt Seminar in Vienna. From 2009 to 2012, she was employed as a dramaturg at the Prague Chamber Theatre under the leadership of Dušan D. Pařízek. From 2012 to 2018, she was a permanent dramaturg at the Theater Bremen, where she continues to be a regular guest. Between 2021 and 2023, she worked at the Goose on a String Theatre. Since 2018, she has been studying psychotherapy in Bremen, co-organises the Czech-German festival How Spring Is Made, participates in the implementation of the Bremen literary festival globale° and works as a freelance librettist and dramaturg with a focus on international and intercultural projects.  

DOMINIKA ŠIROKÁ

Dominika Široká works as a theatre dramaturg and curator in Germany and the Czech Republic. Born and raised in Nitra, she studied theatre, film and media studies in Olomouc and Vienna. As a scholarship holder of the German Academic Exchange Service, she completed her studies in theatre studies in Munich. During her studies, she worked as a freelance theatre journalist and lecturer. She then worked as a guest at the Hamburg Drama Company (Deutsches Schauspielhaus Hamburg), and since 2019 as a dramaturg at the Cologne and Mannheim Drama Theatre (Schauspiel Köln, Nationaltheater Mannheim). Since 2019, Dominika Široká has been the curator of the German-language program of the Flora Olomouc Theatre Festival.

The project is supported by the European Union